Representasi Golongan Minoritas Tionghoa Dalam Film Ngenest (Kadang Hidup Perlu Ditertawakan)

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Published: Nov 1, 2019
DOI: https://doi.org/10.47753/je.v4i2.82
Keywords:
representasi, kelompok minoritas cina, enkoding, dekoding

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Vina Yapleony
Program Studi Sosiologi, Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Sriwijaya

Abstract

Penelitian ini mengkaji representasi minoritas Tionghoa dalam film Ngenest. Tujuan penelitian ini berusaha untuk membahas gambaran konstruksi, sistem representasi, dan proses representasi makna minoritas Tionghoa dalam film Ngenest. Metode penelitian yang digunakan dalam penelitian ini adalah penelitian kualitatif interpretif. Paradigma yang digunakan adalah konstruktivis. Observasi atau observasi merupakan metode pengumpulan data yang digunakan untuk mengumpulkan data. Penelitian ini menggunakan alat analisis teori dari Stuart Hall dan teori pendukung tentang minoritas Tionghoa dari Schermerhorn dan Wagley & Maris. Hasil penelitian ini menunjukkan bahwa representasi Tionghoa yang dominan dalam film Ngenest diperoleh melalui representasi representasi. Proses representasi ini didapat dari encoding yaitu proses menghasilkan makna film Ngenest dengan melihat konstruksi alur cerita atau gagasan awal cerita utama Tionghoa kemudian mengolah dan memperoleh makna melalui proses yang menghasilkan makna dari penelitian yang dihasilkan. dalam decoding. Kemudian melalui representasi mental dan bahasa dalam film tersebut mendapatkan berbagai representasi tentang Tionghoa dalam film Ngenest.

Article Details

Issue
Vol. 4 No. 2 (2019)
Section
Articles

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